the zip had zero compression so it should unpack at high quality. You can download individual sounds (my favourite is tom-08) or just take the lot by downloading the zip. I do have the same sounds at 44 if this is a problem for anyone. Recorded using an apogee ensemble at 192kHz. eg I have a bunch of nice MS20 hits and pulses i’m sure would go down well. If this goes well I'll add some more samples down the road. If you do so, I think it would be nice if you return the favour! i'd especially be interested in newer analogue gear eg: JOMOX XBASE so if you want to download a complete Linn Drum LM2 - it's here Personally, I do not have a problem sharing my sounds - especially if they're presets. I'm talking sounds not copywrited material!. I am happy to do that, and it made me think that it would be cool if we had a thread going where people could download each others samples. Recently, in a reply to a post of mine, I was asked to share some Linn Drum LM2 samples. wav files may not have loop points - if this is the case, just know that the whole file is the loop itself. That said, I hope you enjoy these samples and can put them to good use in your music. Yea indeed, there is some programming work involved, minimal as it might be. You will need to assign these samples to a keymap and assign filter and amplitude envelopes so they properly play as "strings" would. Where nn is the MIDI note number for key assignment (36-96), keyname is C, D#, F#, or A, and oct is the octave of the sample (1-6).Īnd yea, I am sharing them with you. If so, not using the C6 sample would be the easiest solution for a 16MB sampler. This resulted in a sample set that was ~16MB in size - perhaps a little larger. I made a total of 21 samples from C1-C6, sampling every minor third, i.e., C - D# - F# - A, at 44.1KHz, 16-bits depth, in mono. For thickness and the ensemble tone, I layered detuned oscs together. The synth patch makes use of PWM for animation within the timbre. You might say it has the sound of a "strings" waveform in a ROMpler, but without the artifacts of too-short looping and/or dynamic compression such that it is smoothed-out and semi-lifeless. Not the sound of a string machine, but the sound of a group of strings - synthy of course. I recently programmed a synth sound that could be described as a string ensemble.
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